NEWS and BLOG
The Tabolin was strung up and played with different configurations of weights on the velum panels. Results With no weights […]
A collection of instruments for tonal and aesthetic exploration. This began as a Covid project. I’d long wanted to make […]
In part 1 of this post I discussed the ideas behind the hybrid “Tabolin”. The instrument is part violin, part […]
Following on from earlier experimental fiddles I’ve been thinking of making a violin with very thin areas or cells in the upper and lower bouts. This has led to the idea of a violin with many drum like panels.
This is so gratifying! Thanks to every one who has been involved, this is far from a solo effort. You […]
On January 1st this year I effectively quit my violinmaking day job and devoted myself fulltime to the Redwood Violin […]
Carving the plates Carving the plates for the X and O fiddles was fairly straight forward. The basic design of […]
A nice feature of classic period Cremonese instruments are the locating pins found on or near the center line of […]
When I presented the first two unusual fiddles on social media people naturally wanted to know how they sound. Here […]
Longtime violin-maker Andrew Carruthers has struck on an idea: that perhaps new violins can be inspired by something other than old violins.
Not that the San Francisco Bay-area luthier has any problem with old violins — he’s studied the great masters and reveres their work. In fact, he’s made hundreds of stringed instruments based on Guarneri del Gesùs, Stradivaris, Montaganas and more.
But these days he also has been looking to nature, geometry, architecture for inspiration in his instrument-making.