A commission from Bay Area cellist, composer, and songwriter, Mia Pixley led to a creative partnership and the development of one of the few new sounds ever to be added to acoustic bowed instruments. Mia was interested in the Off Beat Fiddles. In her performances Mia...
Tabolin – Part 3, Sound Test
The Tabolin was strung up and played with different configurations of weights on the velum panels. https://youtu.be/cMvSN32r9Pc Thanks to my friends Gabriel Wheaton and Joe Peterson, who helped me sound test the Tabolin Results With no weights The Tabolin is...
The Tabolin – Part 2, Construction and Exploration.
In part 1 of this post I discussed the ideas behind the hybrid "Tabolin". The instrument is part violin, part tabla drum and will feature tunable, resonant panels of velum in the body. I hope that the fiddle will have will have playing qualities similar to a Viola...
We Made the Cover of Strings!
This is so gratifying! Thanks to every one who has been involved, this is far from a solo effort. You can get a digital version of the Strings story. Also read more about the project on The Redwood Violin Website Earlier Press The project also received local press...
The Redwood Violin
On January 1st this year I effectively quit my violinmaking day job and devoted myself fulltime to the Redwood Violin Project. The idea was to make a violin, from scratch, using only materials from within 25 miles of my house. I asked for help with making the violin...
Turtle fiddle sound comparison
When I presented the first two unusual fiddles on social media people naturally wanted to know how they sound. Here they are compared to two instruments of the same model, dimensions and wood. Make your own judgement, but to me they sound quite normal, I think that...
Cellular fiddles Part 2: X’s and O’s
In part 1, I described a plan to make a pair of violins with structural features that I think will have effects on the way those instruments sound. I decided to base the designs for the two violins around two of the vibrational modes that have been studied and used as tools by many violinmakers in an attempt to control the tonal qualities of our instruments. This second part describes the designs that I came up with for the two fiddles I intend to build.
Cellular Fiddles Part 1: Braces, Modes and the Possibilities of Shaping Sound
The idea of "Cellular Fiddles" has evolved out of two earlier projects. The Dimpled Viola made a feature of some of the visually interesting rough carving of a violin that normally get lost in the finished instrument. The Turtle Fiddle which took one of the visual...
Turtle Fiddle
This is a follow up to the Dimpled Viola project and develops some of the ideas sparked by that project. With the viola I made an instrument that made a feature of the gouge work that appears in early stages of carving an instrument but that normally gets completely...
The Five String Fiddle Conspiracy
Talking with Master Fiddler Brandon Godman some months ago, he asked me if I’d ever made a five string fiddle. I never had but I was intrigued. There are five string cellos and five string…..